If we put aside scientific approaches to color theory and its impact on the human mind, and appeal directly to the visceral and emotional, there is no doubt that, within the cinematographic medium, the black and white image has a unique aura capable of completely resizing the sensations conveyed by a feature film.
Although its original premiere ended up being in full color, during the long promotional campaign prior to the landing of ‘Zack Snyder’s Justice League’ on HBO Max – HBO in our lands -, the director stated on numerous occasions that his final version of the Warner and DC tape was viewed with a fully desaturated 1.33: 1 aspect ratio.
